Landscape Painting Demonstration: Beyond Observed Color with “September Light”
Are we bound to the colors offered by the photo, or can we make the color in our paintings our own?
Are we bound to the colors offered by the photo, or can we make the color in our paintings our own?
Sometimes the answers to painting problems come months or years after a painting is supposedly “finished.”
What are the requirements and challenges of working on a long-term painting series?
How we interpret color in plein air is very different from how we work with color in the studio.
A gold ground offers a unique color “metaphor,” with paintings by the author and reviews of gold gesso and paint.
Progress photos and details from each phase demonstrate the four essential steps of landscape.
A revision made three years after the finish shows that “a painting answers only to itself.”
In these light-filled paintings, atmospheric and abstract effects find a balance with the detailed urban landscape.
Photos, artwork, and impressions from my Italian adventure, including video.
Reflections on the “Acceptance” series as social commentary