How to Take Charge of Composition and Color in the Urban Landscape Painting
Through composition and color, we can move beyond the photo reference and make the subject our own.
Through composition and color, we can move beyond the photo reference and make the subject our own.
Good paintings don’t come from bad source material. Learn the essential qualities to look for in your reference photos.
Overcast and sunny subjects will present values and colors differently. Know the differences and what to look for.
Referencing photographs too closely can be hazardous to you work. Here are strategies to overcome the tyranny of the photo reference.
A review in Outdoor Photography points out that good paintings and good photos share the same ingredients.
Words of advice on evaluating photo reference for series of landscape paintings.
Explore the parallel relationship between the light source and its effect on the subject.
Reflections on the perils and pitfalls of being too attached to photographic reference.