How the Texture of a Painting Surface Affects Painterly Style
Exploring the reciprocal relationship between surface texture and painterly “handwriting,” with examples from Albala, Charles, Haight, and Signori.
Exploring the reciprocal relationship between surface texture and painterly “handwriting,” with examples from Albala, Charles, Haight, and Signori.
Similar compositions in oil and pastel show how changing one’s medium can create a shift in visual expression.
Gessoing paper can be tricky: learn about the proper paper weight, textures, sizing and how to apply the gesso properly.
Safer and less intense alternatives to Phthalo — meet Azure, Manganese and Cerulean
The tried and true “expanded primaries” palette offers a cool and warm variety of each primary.
Neutral colors can be mixed from primary colors, but a neutral pigment can be faster and help support the color direction of your painting.
Painting on pre-primed, unstretched canvas is an inexpensive and lightweight option.
What’s the difference between flake, zinc, and titanium whites? Robert Gamblin of Gamblin Oil Colors takes you on an authoritative tour.
Gamvar solves the most vexing varnishing problems — it is easy to use and can be applied much sooner than other varnishes.
Alkyds offer the best of both worlds: the buttery feel of oils and the faster-drying qualities of acrylics.