Creating Light and Atmosphere in Landscape Painting with the Sunlight & Snow Series
How do painters manipulate color, value and edges to suggest light and atmosphere?
How do painters manipulate color, value and edges to suggest light and atmosphere?
Richly colored, atmospheric, and semi-abstract interpretations of snow-capped mountains.
Good paintings don’t come from bad source material. Learn the essential qualities to look for in your reference photos.
Charlie Hunter’s interview with me on a wide range of topics, including a survey of some of my best paintings.
Carol Olson’s lively and informative interview with me, covering a wide range of practical topics.
“Before” and “after” versions of Salmon Bay show meaningful changes in color and composition.
An overview of the book’s “essential studies”, such as color grouping, composition, and notan. Plus a peek at some of the 45 contributing artists.
Two masters of color are highlighted in the third of a 3-part series previewing artists in “The Landscape Painter Workbook.”
Three masters of composition are highlighted in the second of a 3-part series previewing artists in “The Landscape Painter Workbook.”
Three shape masters are highlighted in the first of a 3-part series previewing artists in “The Landscape Painter Workbook.”