“Tactile Perspective” in Landscape Painting: Using Paint Texture to Help Suggest Depth
Atmospheric and linear perspective aren’t the types of artistic perspective. Tactile perspective can can also add depth to your work.
Atmospheric and linear perspective aren’t the types of artistic perspective. Tactile perspective can can also add depth to your work.
Key steps including compositional studies, notan, color, underpainting, and paint handling.
See the winning piece along with two additional entries in the exhibit.
How can we paint the same subject, again and again, and keep the work fresh and alive?
“Masterfully handled in its reduction of detail.” – Liz Haywood-Sullivan
Three examples from Mitchell’s collection demonstrate how an additional limited focus in the later stages can save a composition.
Through composition and color, we can move beyond the photo reference and make the subject our own.
How does ultra-simplification, expressive mark-making, and color alteration help induce an abstract aesthetic?
Eleven paintings from the long running series: atmospheric, luminous, and abstract.
Exploring my passion for a light that glows, these works convey the sensation that the light is real.